Playwright, documentary maker and academic Geoffrey Sykes’s production ‘Political Fiction’ recently played a season at the Old Fitzroy Theatre.
In ‘Political Fiction’ Karl is a disgruntled forty something member of the Australian government. He becomes emotionally attached to Lee, a twenty something stranger and part time singer, who proves as enigmatic as she is pragmatic, and is attracted to an offer of some work with him and exposure to political life. Meanwhile James, a disconsolate Ministerial staffer, raises Australia’s responsibilities to its neighbouring countries and boat refugees, in a hypothetical and exaggerated narrative.
As the story progresses, we discover more about Lee, her past and her commitment to a wider vision of the world that embraces South America. Karl’s position within the government and his marriage become vulnerable, and he looks at new possibilities. Karl, James and Joanne dine and wine together and entertain wild plans for the future, as outspoken critics of the government. Another senator facing de-selection could be persuaded to join Karl in the independent ranks.
I’m sad to say that as interesting as the plot sounds, ‘Political Fiction’ did not make for good theatre. There seemed to be plenty of material to work with, but I never really became involved in the play. The playwright would better be served by writing theatre with less political and philosophical musings and more emotional connections with the audience.
Kerry Casey was Karl, the most emotionally involving role, and he gave a committed performance, but his character wasn’t very sympathetic, and his efforts fell flat. Sarah Doyle as Lee, and Marc Kay as James also worked hard without much reward. ‘Political Fiction’ was directed by Robina Beard with the set designed by Nelson Colo Matoma.