Australian playwright Elizabeth Coleman’s 1993 play IT’S MY PARTY invites the audience into the world of the Patterson family at a major turning point in their lives. This play is yet another playwright’s portrayal of a dysfunctional family, though not
WARM BODIES (MA) puts fresh zing into the zombie genre with the funniest foray into flesh eating fiends since SHAUN OF THE DEAD.
Based on Isaac Marion’s novel of the same name, WARM BODIES is the latest crazy wackiness from
This unconventional and goofy rom-com, starts with dead zombies finding humans on which to munch, the movie quickly evolves into a teen laugh-out-loud sweet comedy romance.
The tag line is tag line, “Who says romance is dead? Cold Body, Warm
A popular feature of every Sydney Theatre Company main season program is a page devoted to listing different experiences that are along the same lines as the experience the show is about to give you….
This is the list compiled
They are there every day, at the end of the day, standing outside the turnstiles to the railway stations, cheerfully handing out copies of the free, afternoon paper, the mX. A fairly thankless job, especially with many workers, weary after
A striking and colourful set by Tom Bannerman conjures a Greek tavern on the hedonistic holiday resort of Mykonos.
Its owner, Agamemnon, modeled on the recently disgraced mayor of Mykonos, is depicted as a mammon-driven despot confined to a mechanised
Simon (James McAvoy), a fine art auctioneer, teams up with a criminal gang to steal a work of art worth millions of dollars, but after suffering a blow to the head during the heist he wakes to discover that he
In RUST AND BONE (MA15+), Marion Cotillard plays Stephanie, a killer whale trainer, who suffers a horrific catastrophic accident. With her world turned upside down, she develops an unlikely bond with Ali (Matthias Schoenoerts), a tough, proud man who offers
Celebrated Grammy award winning American conductor/composer Eric Whitacre, known globally on YouTube
through his virtual choir, made his conducting debut of his own music on Saturday night with the Sydney Philharmonia Symphony Chorus and the youth choir VOX, accompanied by
The new adaption by Nick Dear of Mary Shelley’s novel FRNAKENSTEIN is not the traditional type of play one associates with the Ensemble Theatre.
In this adaptation the creature is very human like, and indeed, at the start as it