Director Luke Rogers’ program note says, in part: “The play explores the nature, freedom and responsibility of artists and asks to what extent is an artist responsible for the actions of others in response to their work”.
In a time when media organisations often come perilously close to character assassination, where violence on the streets mirrors R rated so called Block Buster movies and video games, and a government treads perilously close to censorship of the press while the censorship board itself seems increasingly to allow us to make up (or pollute) our own minds, the message of this work could scarcely be more timely. But does it work?
The script mirrors in language and style both the power of the medium and the consequences. The performances are workmanlike although the characterisations are a little two dimensional, with an exception being the warmth and humour of Michal, played deftly by Michael Howlett.
The production is nicely supported by all the Creative Team ,especially the set and lighting designers, Lauren O’Flaherty and Ross Graham. (The door desperately needs a locking sound effect. It’s construction is betrayed every time someone slams it!)
Overall THE PILLOWMAN is a disturbing, even harrowing experience that’s not for the faint hearted, (several people left on the night I was there), but yes, it does work.
Cast: Julian Dibley-Hall, Lauren Dillon, Michael Howlett, Peter McAllum, Jeremy Waters, Oliver Wenn
Luke Rogers’s production of Martin McDonagh’s THE PILLOWMAN opened at the New Theatre, 403 King Street, Newtown on Tuesday 19th March and plays until Saturday 13th April, 2013.
© Allan Chapple
20th March, 2013
Tags: Stage Reviews- THE PILLOWMAN, New Theatre Newtown, Julian Dibley-Hall, Lauren Dillon, Michael Howlett, Peter McAllum, Jeremy Waters, Oliver Wenn, Lauren O’Flaherty, Ross Graham, Sydney Arts Guide, Allan Chapple.
