The CREDEAUX CANVAS, written by Keith Bunan, is a powerful study of relationships and how these are radically and permanently changed by decisions the characters make.
Three young flatmates are all searching for a different elusive dream. Jamie, played by Richard Cornally, has been disposed by his father and wants desperately to get ahead in business. Amelia, played by Kitty Hopwood, a singer is seeking that gig that will launch her into stardom. Winston, played by Alex Shore, is a talented and hopeful artist who is immersed in his art to the exclusion of personal relationships.
Jamie comes up with an idea to solve their problems by forging a masterpiece. With the plan however comes deceit and the destruction of their relationships. The first half of the play sets up the story and we come to understand the characters and their relationships. The second half explores the consequences of their decisions and where their futures take them.
Alex, around whom the play pivots, powerfully portrays the man concealing his emotions beneath a veneer of aloofness. Kitty demonstrates with great feeling the woman lost in uncertainly and love who seeks a genuine soul mate. Richard plays with great enthusiasm the hurt but optimistic youth who is ultimately the victim of his own plan. The forth character, Jennie, an art collector and the object of the plan, is played with stylish experience by Tess Anderson Rose.
Richard and Kitty are founding members of the relatively new theatre group Sure Foot Productions. This is a play with an interesting story and strong characterisation which develops throughout the play. There is good technical support by Tom Bannerman as set design, Larry Kelly lighting and Tom Massey as stage manager.
THE CREDEAUX CANVAS plays at the Tap Gallery to 6th April. Recommended viewing.
© Maggy Franklin
23rd March, 2013
Tags: Sydney Stage Reviews- THE CREDEAUUX CANVAS, Keith Bunan, Sydney Arts Guide, Maggy Franklin
