Bronwyn Fullerton worked as an actress and singer for over 20 years after training with Hayes Gordon at The Ensemble Theatre Studios in Sydney in the 70s. She has worked for The Ensemble Theatre, Stables Theatre, Griffin Theatre Company, Sydney Opera House, Sydney Festival, Theatre-in-Education touring, Rocks Theatre at The Sailor’s Home, Balmain Loft, North Coast Theatre Co., Giniby Theatre Co., Bondi Pavilion Theatre and two years with the Marionette Theatre of Australia, including a tour from Alice Springs to Arnhem Land.
As well as Film and Television (Chopper Squad) and Voice Overs, Bronwyn worked for the Gate Theatre Club in London and studied mime in Paris.
She now teaches ESL English to foreign students and completed a Post-Grad in Film & Video at UTS in 2009/10.
Without financial backing for a stage production in 1970, Andrew Lloyd Webber composed the music and Tim Rice the lyrics for a concept album called JESUS CHRIST SUPERSTAR. Its popularity led to the first Broadway production in 1971.
Sydney followed …
For a quarter of this eventful 21st century, adoring fans have queued up, brimming with innocent anticipation, to see the infamous, annual WHARF REVUE.
First created at the turn of the century in the secretive back rooms of the Sydney …
How invigorating it is to experience a play that is so funny and witty, utterly compelling and yet simultaneously sad, that the audience are driven to give the most heartwarming standing ovation at its conclusion. Such was …
What do you get when you cross an American actor, an English director and an Irish playwright? You get chaos, a clashing of egos, fire and brimstone and 75 minutes of hilarious one-liners, insanity, insults and injury.
Playwright David …
Stories of wrongful imprisonment and unexplained ‘deaths in custody’, have haunted our shores for decades. What rational alternatives are there? Can we re-invent smarter and more humane policing? More productive and less damaging legal choices? Can we think outside the …
There’s nothing like going to a night at the theatre knowing you will be laughing recklessly for 90 minutes.
Director Mark Kilmurry and actor Jamie Oxenbould have pooled their talents yet again to write a timeless ‘comedy of errors’. The …
Spanning more than 150 years, OIL – by British playwright Ella Hickson – is a journey, a time-travel of a mother, May, (Brooke Satchwell) and her daughter, Amy, (Charlotte Friels). As the decades fly by between scenes, mother and daughter …
THE WHARF REVUE is alive and well in 2023 and back on again at the Seymour Centre. It has logged up 26 productions and has a vast and loyal following who fill their theatres each year.
The WHARF REVUE : …
SUDDENLY LAST SUMMER – Tennessee Williams’ plays are as relevant now as they were last mid-century. One reason is his ability to write about the human condition – fragility, desperation, shame and the complexities of love. SUDDENLY LAST …
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The Seymour Centre foyer is brimming and buzzing with jovial anticipation, stacked for opening night in Sydney with the usual suspects; long-time devotees, journalists, politicians – a testament to the respect and loyalty that this annual political satire …
