Randolph Magri-Overend

One of the questions Randolph hates to answer is “Where do you come from?” Why? Because the answer can be so time-consuming and, in a way, also gives away how old I am, Plus the questioner has to wrestle with the wish he hadn’t asked the question!!

He was born in Cairo, Egypt, many moons ago of British parents although he can trace Maltese and Croatian ancestry in his lineage. Educated in a Jesuit college in London his wander lust for things unorthodox drove him to embark on a seafaring career with both Canadian Pacific Steamships and Shaw Savill. That in itself dates him because both lines have been redundant for many a year.

One of his boasts is that he was the Purser on the “Gothic” which ten years previously had been Queen Elizabeth II’s Royal Yacht soon after her coronation in 1953. One of the objects imported on the ship by HM and left behind was a tape player which Randolph utilised on many a memorable Sunday evening with a classical concert for his passengers. Thus began a journey that not only awakened Randolph’s love for good music but also eventually led to his extensive knowledge of music in all forms. That he loves the era of Sinatra, Crosby, Armstrong, Dorsey (both) and many many more exponents of the post-war music scene is also part and parcel of his appreciation of the music of many an era.

These days Randolph is retired but still reviews CDs and DVDs and has written articles on such diverse personalities as Yvonne Kenny, Teddy Tahu Rhodes, Alexander Briger, the late Sir John Tavener, Sir James Galway, Dawn Upshaw and countless probes into the music of Gustav Mahler, Elizabeth Shwarzkopf and her husband Walter Legge, Glenn Gould, Leonard Bernstein and many many more he regrets to admit he has lost track of!

Before emigrating to Australia, Randolph spent a number of years as a Flight Dispatcher in Canada. Since arriving in Australia, Randolph has written for The Weekend Australian (especially in their travel pages), The Sydney Morning Herald, Opera Opera and Fine Music magazine as well as writing for some jazz magazines.

66 posts by Randolph Magri-Overend

contemporary conductors : marin alsop

I realise I’ll be accused of name-dropping but Marin Alsop and I share a common bond – we are both avid fans of Leonard Bernstein.  Alas, our similarities end there because I have admired Bernstein from a distance whereas Alsop …

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contemporary conductors : valery gergiev

He occasionally uses a toothpick for a baton, often performs in a Nehru-style black suit and hardly ever appears in public clean-shaven.  But whenever the name of Valery Gergiev is mentioned a whiff of controversy lingers in the air.  This …

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contemporary conductors : sir simon rattle

A recent cartoon depicts an overbearing conductor berating a soloist clutching a violin. “It’s allright for you,” says the conductor. “You come from a wealthy family who bought you that Stradivarius.  All my family could afford was this baton!”  Although …

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contemporary conductors : sir andrew davis

When the Melbourne Symphony Orchestra performed at the London Promenade Concerts on 19 August 2014 they couldn’t have been in better hands than those of their chief conductor, Sir Andrew Davis.  Now 79 years of age, Davis is a veteran …

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contemporary conductors : zubin mehta

There is something wholesomely endearing about Zubin Mehta.  If you had a favourite uncle you’d want him to look like him.  He has the demeanour of a well-travelled person, full of bon-homie and joie-de-vivre, with perhaps a touch of the …

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contemporary conductors : gustavo dudamel

Some people call him a genius.  Others claim he was at the right place at the right time.  Some claim that it is hype and spin that has made him famous.  Whatever you choose to believe, Gustavo Dudamel is probably

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