Art for art’s sake. Art felt and artful.
Funny as fuck, THE INVITE is arguably the funniest, wittiest, screwiest film of the year.
Reminiscent of Yasmina Reza’s God of Carnage and Edward Albee’s Who’s Afraid of Virginia Wolf with a dash of Woody Allen, THE INVITE is a …
Contemplative as a Carmelite convent, FIRST LIGHT is a meditation on the vexing question, how can the gracious core ethics of a religion be warped into rousing support for things that are very inherently unethical?
Sister Yolanda has spent her …
GLENROTHAN marks the feature directorial debut from Emmy and Golden Globe winner, acclaimed Scottish actor Brian Cox. It serves as a ‘love letter’ to Scotland, exploring themes of family, reconciliation, and heritage with warmth and emotional depth. Cox describes …
SOPHIA’S SUSPICION puts the double in double agent, double cross, and double dealing without the double entendre of double oh seven.
Set within the murky paranoid world of the Stasi, the secret police apparatus of the East German government …
ALL OF A SUDDEN doesn’t sound like it should be the title of a film that runs over three hours.
There’s nothing at all sudden about ALL OF A SUDDEN, another affirmative and philosophical film from Ryusuke Hamaguchi, both epic …
More tracking than the Trans Siberian, a singularity of the single shot, a propensity for perpetual motion, a film within a film, BLACK RABBIT, WHITE RABBIT is one of the most exhilarating films of this year’s Sydney Film Festival.
Confounding …
Director Steven Soderbergh and screenwriter, Ed Solomon forge into forgery with the fantastically fine art film, THE CHRISTOPHERS.
Working from a rich palette of textured writing, Soderbergh and his cast delve into the creative and commercial realm of art, its …
Can one not marvel at Ruth Ozeki’s patently personable prose in her latest short story collection, THE TYPING LADY? It embraces grandeur and simplicity in one gigantic hug with kisses of crystalline wit and caresses of sagacity.
THE TYPING LADY …
Plagiarism. A plague on creatives. Copy that.
Plagiarism. It’s the slurry with the infringement on top.
Plagiarism. Where appropriation is not appropriate.
Plagiarism. It’s at the core of the first great feelgood film of the year, POWER BALLAD.
From the …
An embarrassment of bitches, vile queens and anti Semites, infest THE RICHEST WOMAN IN THE WORLD, an investment not for the time poor.
Isabelle Huppert plays Marianne Farrère, a woman of many layers, by turns seductive, fragile, hard, and …