Annie, the mischievous little orphan made famous by the original comic strip, has been singing about the promise of tomorrow and the sun coming out for nearly half a century on stages around the globe. She remains as cheerful, courageous, and full of spunky bravado as ever — it seems nothing can hold her back.
Tonight’s performance opened with Annie among her fellow orphans — a punky little band of terrific singers and dancers. As always, it’s easy to fall for Molly, the youngest ragamuffin who tugs at our hearts. We’re left wondering why Miss Hannigan doesn’t soften toward the brood, but of course, every good story needs a villain to counter its heroine.
The costume and set design clearly aimed to highlight the standout presence of our redheaded lead. However, Annie’s wig — a metallic, almost artificial red — seemed more polished than the wild, woolly, unkempt look I had expected. Still, the grey-toned costumes of the ensemble helped Annie’s brightness shine all the more. I just wish some of that visual storytelling had extended more clearly into the staging and choreography. There were many static moments designed to inspire “oohs” and “ahhs,” but they sometimes lacked movement or dynamism. That said, even Sandy the dog delivered a heartwarming performance — I was initially worried he’d be distractible, but he was a star in his own right!
Tonight’s Annie, played by Dakota Chanel (one of four child actors rotating the role), has a magical voice — as we’d expect for these iconic songs. While I could sense a few nerves, I’m hopeful she’ll continue to settle into the role and grow in confidence over the run.
Annie’s journey takes us through the struggles of Hooverville and the Great Depression — a timely revival, perhaps, as many families today face their own uncertainties. The show reminds us to hold hope that all our little Annies might not only survive but thrive — maybe even finding a benefactor like billionaire Oliver Warbucks. Anthony Warlow was outstanding in this role, bringing warmth and subtle charm to a man known for his wealth but perhaps not his heart. Amanda Lea Lavergne was equally effective as Grace Farrell, bringing tenderness and grounding to the duo as Annie works her subtle magic on them both.
That said, some directorial opportunities were missed. For instance, when President FDR is won over to Annie’s optimism, the staging in the Oval Office lacked clarity — Annie was present at the large table, but not front and centre as she arguably should’ve been. A moment that should have celebrated her influence instead felt oddly muted.
Miss Hannigan, true to form, delivers her final impact with a scheme involving her conniving brother Rooster and his flamboyant girlfriend, Lily St. Regis. The trio’s “Easy Street” routine was dynamite — energetic, well-choreographed, and a true highlight of the evening.
Musical Director David Piper led an absolutely stellar orchestra, bringing Charles Strouse’s timeless score to life. While Annie didn’t come across as quite the Pollyanna I’d hoped for, I was still charmed by the songs and lyrics — a heartfelt bravo to Thomas Meehan (Book), Martin Charnin (Lyrics), and Strouse (Music).
As the production continues, I expect Dakota Chanel’s Annie to grow into the role’s deliberate feistiness — and when she does, her impact on those around her will shine even more brightly. Tonight’s audience was thoroughly delighted, and I loved the updated visuals, including projections of a nostalgic New York City. The set changes were seamless, and the understated opulence of Warbucks’ wealth was beautifully rendered, if a little subdued.
In all, Annie’s bold red presence couldn’t be missed. So head into town, take your seat at the Capitol Theatre, and join the crowd in giving a well-deserved standing ovation.
